Three Kingdoms: Simon Stephens and Sebastian Nübling

Not considered suitable for under 16s or British mainstream theatre critics I found Three Kingdoms a bit of a joyride. Sit forward on your seat in the first half, enjoy […]

Why critics shouldn’t be invited into the creative process (but writers should)

So I have been reading this: Andrew Haydon on ‘embedded criticism’ & this: What new dialogue can we set up between people who write about theatre and people who make […]